Gordo Bennett is the mastermind behind GorMusik, a music project that combines Gordo’s blazing fretboard skills with his exquisite use of orchestration software (this means that Gordo can compose music that sounds like a symphony orchestra or components of an orchestra are playing). Gordo has been playing guitar since the seventies and performed in bands for many years. In more recent years, he was a part of a project called Simplexity, from which he then departed in order to work on his solo project, GorMusik, which released its debut “Fun in Outer Space“.
More recently, Gordo took part in and played an integral role in the creation of the music on the Colin Tench Project album, “Hair in a G-String“. As well, he arranged music for Josh Leibowitz and Ronald Marquiss and is a contributing composer for the United Progressive Fraternity project. After a busy 2016, Gordo turned his attention toward his next two projects: GorMusik’s forthcoming sophomore release “Progtopolis” and another project called GorFusion.
Gordo and I have been friends via Facebook for some time now, and he has shared not only his music with me but also my photography with others. To show my appreciation for his friendship, last November I sent him a copy of my book “Earth Cycles”. Little could I have guessed that he would send me a message asking me to do the track artwork for his next release, a GorFusion track entitled “Waxed Apples”.
Photography for me has nearly always been “found” photography; I photograph what I see while exploring the outdoors. But here was a concept piece. I had to think about not only an image of waxed apples but how to create such an image in a way that was both album artwork-like and that Gordo would feel suited his work. I had some ideas and looked forward to trying them out.
My image was exactly of waxed apples – heavily waxed, far too waxed. I considered the wax dripping off. That was easy enough to put together. Just melt some wax, dip the apples, place them in a basket on my dining table and shoot. But it was not to be so simple. No stores sold only wax, and so I had to buy a box of white candles and break a few of them into a foil-lined cooking receptacle, like the kind you use to heat milk, and place that in a pot of water for boiling. Our all-electric stove top only accepts certain types of crockery, so melting wax in an empty coffee tin like I did at day camp when I was a kid was not an option.
It took much longer to melt all the candles than I expected. Also, my kids were using the dining table, and so as an alternative I arranged a small table in my workroom, placing it by my window where sunlight was shining through the curtains. The background was a cluttered mess, so I placed a photo frame box in behind the table and hung a plain sweatshirt over it.
When the wax was finally melted, I dipped the apples in and arranged them in a bowl (my mother-in-law’s) and tried a couple of shots.
Then one of the wax coatings popped off as I rearranged one apple. I redipped it in the melted wax, but by now the wax was thickening and the dipped apple became gloppy. Perhaps this was the right look of “disgusting”?
How about taking a bite out of one apple? Ugh! Wax on my teeth after that!
I sent some shots over to Gordo to hear his opinion. He said he preferred the shots where the apples looked like apples. The sun had moved and the light was no longer optimal. Next week I’d try again. For now, all the wax shells could easily be pulled off.
For the next session, I suggested including the band name in there somewhere. Gordo wanted to add GorFusion as well, if I could pull it off. I thought I could easily carve the name in an unwaxed apple that Gordo suggested be in the photo and maybe I could somehow write in the wax of another apple. But this was more challenging than I first believed. Scraping the wax with a hole piercing tool from the screwdriver set, I learned pressing too hard could fracture the wax shell, but too delicately would require carving over the same path several times. Also, I had less success with getting a clean bite in the wax. It also cracked! In the end, this session served to be only another series of test shots. Oh, and my mother-in-law had been given her bowl back, so I had to use a basket that my wife cautioned me not to mess up with wax.
Both GorMusik and GorFusion needed to stand out more clearly. In addition, I was learning that I had to see where the shadows of the curtains were falling at all times so that important areas were not being under lit. Then there was light falling into the basket that had to be blocked, then background had to be checked for shadows and light and wrinkles, and I had to try reflecting light on the darker side of the set up by using a white envelope that was at hand. I shot nearly a dozen frames for each new idea as all the important details were considered, monitored and checked, and apples were adjusted so as to show off their important features (name etching and bites) just right without giving it away that they were only half covered in wax!
By the third time round, I thought I had it, except that the apples I bought were bigger and somehow the wax didn’t adhere so thickly after one dip. Gordo liked the shots but pointed out that the bitten apple didn’t look waxed.
Stooping over my camera in a cramped space with my computer on behind me, I was shooting, checking, adjusting, uploading, selecting, and emailing photographs. At last, Gordo said he was happy with this one. And by the way, I had learned to bite first, then dip in the wax, removing the wax after it had hardened. But I also added some cosmetic work by carefully improving the shape of the bite with a knife. I also had to keep going back to the bite to carve out oxidizing spots that had turned brown.
I felt there was little better I could do with my camera as I had already tried so much. But I had a nagging feeling that there was more to be achieved. And yet I don’t have Photoshop and do very little photo editing. What could I do to push the final image a step further?
I decided to try something using Instagram’s filters. I used two different filters and made some additional adjustments, then sent them to Gordo. He was stunned. He said he particularly loved this one.
I had to admit, I was finally feeling that we were reaching somewhere. Gordo lamented not adding in bassist Joe Serwinowski’s name. At first I thought I’d have to leave it up to him as my lack of photo editing skills left me incapable. But then I recalled the app Juxtaposer which allows you to layer two images and erase the top image as much as you need to create the image of a single photo out of the two shots.
During a Friday lunch break, I tried to see if I could pull it off. Just as an experiment, I wrote Joe Serwinowski Trout & Bass (a play on the fish and the instrument – duh), and snapped an iPhone shot of the paper on a table by a window. I was concerned about getting the right lighting to match the conditions in the original photograph and thankfully noticed that in front of the basket there was a patch of shade. I ran the snap through the same Instagram filter and made some adjustments for colour and tone.
This was a bit roughly done. This was just a test. The final result using Juxtaposer was this:
I sent it off to Gordo immediately because he was officially releasing the track Friday evening his time in Buffalo NY and it was already Friday afternoon for me in Japan. If the music was going to be ready for listening and downloading by then, I wanted the artwork to be ready. The image received Gordo’s unreserved approval. I offered to redo the scrap of paper more neatly but he said it was great the way it was.
Thus, my sessions with waxing apples came to an end. No more need to mess up pots and the kitchen counter with wax. I can’t look at the image myself and see it as artwork for a piece of music. I see it as something I’d been fiddling with and finally made for an Instagram post. However, it is a proud moment to say that I’ve done my first piece of work for commercially released music. Most importantly, Mr. Gordo Bennett is pleased with the result!
The true reward for me was the whole process of formulating a concept and working it through with Gordo, bouncing ideas off each other and trying to make them part of the developing concept, and then finally seeing all the ideas come together in an image that I feel superseded what I had first believed myself capable of achieving.