Category Archives: Published work

Meeting Martin


It was a November afternoon, nine years ago, when I stood partway between the tent site and the summit of Jiigatake in the North Alps—the Kita Alps—of Japan. Obuchisawa had disappeared beneath a tide of clouds, and across the slow-motion waves of undulating vapour, Harinokidake and Rengedake rode the mists like islands. Far beyond in the western distance stood Yakushidake, one of the Hyakumeizan. Overhead, a different kind of sky was created by clouds with loftier ambitions. The tripod was placed on the slope and adjusted, the 35mm Minolta already mounted. Click! Whirrrr. The scene was captured on Velvia 50. Eight years later, that very scene adorns the cover of the English translation of Kyuya Fukada’s “Nihon Hyakumeizan” – One Hundred Mountains of Japan.


How did this happen? By what stroke of tremendous good fortune did I find my photograph associated with the national institution that is Fukada’s Hyakumeizan, that personal list that became considered by so many as the definitive one? Good gravy! I don’t think I can recall exactly. But it has everything to do with the book’s translator, Martin Hood and the fact that we both share our mountain photography on

It was no doubt Martin who made the first move. Someone who posted photos from the European Alps commented on my Japan Alps photos. That must have been how it started. And I am certain that I would be correct in surmising that an Internet friendship ensued from that point on. But it was only after learning the true name of this Flickr user (we both employ user names) that I recognized I had come across it before. While gathering information for my own book project on the Japan Alps, I came across several informative blog posts on a site called One Hundred Mountains, and furthermore, I seemed to recall having read an article somewhere online whose author was Martin Hood.

Martin, back in those days, was searching for a publisher for his translation of the Hyakumeizan book. He had begun it originally as a method of keeping up his Japanese when he left the country back in 1995. However, the project unexpectedly turned into book proposal and a blog that continues to this day to feature more and more of the most obscure and unheard off Hyakumeizan-related information to ever be presented to the English-speaking world. Initially, the book project itself faced great obstacles as promising publishers one after the other rejected the book. At last though, success prevailed with the University of Hawaii Press, and in December of 2015 the book at last entered the world to much fanfare by the blog’s most devout fans.

So how about that cover?

As Martin assembled photographs for the book, he—in all his good grace—consulted my self-published ( book of the Japan Alps and selected a few promising images. Granting my permission, I sent the selected images as files to the art director at UHP. With a little artistic license and some computer editing, my photograph earned the distinguished honour of becoming the cover shot of this great literary work.

Some weeks ago, Martin managed to find his way over to Higashi Omiya Station, a hop skip and a jump away from my work place. It was far too brief, the time allotted for us two to finally meet after years of Internet friendship. Nevertheless, for about 56 minutes, the two of us sat across from one another at a small table in a burger and coffee shop and tossed questions and remarks back and forth like an Olympic table tennis match. We could have talked all afternoon, but Martin had another engagement and I had to get back to work. We both agreed, however, that when the Fates would next make it possible for our paths to cross, we would plan better and hopefully have more time, perhaps even enough for a day hike. I have my thoughts on Ryogamisan, a Hyakumeizan in Saitama.


Japan UP! Magazine

My interview was published in the October issue of Japan UP! magazine. It’s a free magazine available in the Los Angeles area.


The Kingdom of Sedimentary Rock and SSP

Back in 2010 I was given the wonderful opportunity to visit some of the most astoundingly beautiful locations in the United States, places I had long dreamed of visiting but curiously had never prioritized. My sister’s wedding in Las Vegas required her one and only sibling’s presence and our parents, aware of my finances, graciously paid for the plane ticket.

Though my stay was only for five days of which two days required my presence at the obligatory family events (wouldn’t have missed my sister’s wedding for the Grand Canyon!), I still managed to steal away on a whirlwind road trip to four of the most photogenic sites in a neighbourhood crowded with natural wonders beckoning the souls of the hiker, photographer, adventurer, and naturalist.

Upon returning to Japan I desired to write about my impressions of the geologic history and share them alongside my photographs with a Japanese audience. I worked hard to write up an article and had my manager check over my Japanese. It took time to complete and once submitted to Nippon Kamera it took time to get an affirmative response. At last my photographs were published but the text of some 1,200 characters had to be shortened to 300!

I was delighted to see my published work but still wanted to see my story in print. My membership with the Society of Scientific Photography was temporarily on hiatus, so I renewed it and promptly submitted my story and a selection of photographs to the editor of the members magazine. At last in May of this year my impressions were published in words as well as images.

The article describes in brief the rather vertical history of the Japanese archipelago with volcanoes rising up and collapsing, mountain ranges being pushed up, and rain and rivers washing and cutting away at the rising peaks. This serves to contrast the more horizontal history of the Colorado Plateau, which experienced roughly 200 million years of gradual sedimentation in seas, deltas, flood plains, and deserts. Only in recent history was the sedimentation process interrupted by uplifting, fluvial incising, and some volcanic activity. The results are these spectacular landscapes unrivaled by anything in Japan. The differences in the two landscapes are due to the distinct differences in their geologic history as well as their present locations and climates.

In the May 2014 issue of the Society for Scientific Photography

In the May 2014 issue of the Society for Scientific Photography

Clockwise from top left: Zion Canyon - The Narrows; Valley of Fire - Strata at dawn; Valley of Fire - Differential weathering; Red Rock Canyon - strata

Clockwise from top left: Zion Canyon – The Narrows; Valley of Fire – Strata at dawn; Valley of Fire – Differential weathering; Red Rock Canyon – strata

Bryce Canyon and Valley of Fire aeolian erosion (bottom left)

Bryce Canyon and Valley of Fire aeolian erosion (bottom left)