The June issue of Nihon Kamera (日本カメラ) should feature some of my photographs from my trip to Nevada and Utah in October of 2010 (which I never finished writing about).
I sent a submission to the magazine back in August, 2011. After a few months without a word, I contacted the magazine in February, 2012 and asked what the status of my submission was. I was told that they were holding on to the photographs and short text and still considering it. For nearly a year I kept thinking about calling. I became worried because in 2010 and ’11, I had four submissions at three other publications disappear – something that had never happened to me in all my years of submitting photographs to magazines. I called at last this January but the editor was unavailable.
I called again a week later and was told the same thing, though the person with whom I spoke gave me his name. Three weeks passed before I called once more, this time asking for the person who had given me his name. He was out at the time. Finally, I called a fourth time, and this time when I was told he was out I explained my situation to the woman on the line. She asked me to wait a moment and then, without given his name or a greeting, a cheerful man came on the line sounding as if we’d already been talking long enough to be on good speaking terms that such trivialities as usual Japanese phone manners were not necessary. I didn’t mind his informal way; his news was what I had been hoping to hear.
The man told me that they were thinking about running my photographs in the June issue. He confirmed that they had my email address (my submissions always include postal address, telephone number and email address but every time I am asked anyway) and said that they would send a PDF later on and ask me then to check it over and provide any essential information not yet included. I am sure my tone of voice conveyed my gratitude more than my words could carry.
The photographs are from Red Rock Canyon and the Valley of Fire in Nevada and Zion and Bryce Canyons in Utah. The text contrasts the rather violent and vertical orogeny of Japan’s geologic history with the somewhat sedate sedimentary layering and fluvial erosion of this region of North America, whose periods of volcanic activity and tectonic uplift are not as dramatic as the creation of the Japan Archipelago. Due to the eons of peaceful sedimentation and erosion these spectacular canyons were able to form.
This will be the second time a portfolio of my photographs appears in Nihon Kamera. Previously eight images from New Zealand’s South Island were published.